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The Oscars 2026 red carpet was polished, pretty and a little too safe

Some might even use the word 'boring'…

Mar 17, 2026
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If there’s one thing the Oscars red carpet has always promised, it’s spectacle. The Academy Awards isn’t just about cinema; it’s fashion’s biggest global stage, followed closely by the Oscars after-party, which is the most coveted invite of the night. But this year, despite all the anticipation, the mood felt unexpectedly restrained. Elegant, yes. Impeccably styled, absolutely. But exciting? Not quite.

Classy has never been synonymous with boring, and yet the 2026 carpet leaned heavily into safe territory. There were hits, certainly, but very few moments that felt daring enough to spark real conversation. Historically, the red carpet has thrived on risk. Think of Marilyn Monroe, whose idea of glamour was always laced with boldness and allure. Even controversy has its place in fashion history. Björk’s swan dress, once ridiculed, is now iconic. Celine Dion wearing a backward suit by John Galliano felt bizarre at the time, but reads as visionary today. The lesson is simple. Playing it safe rarely leaves a legacy.


This year, however, safe seemed to be the prevailing mood.

That’s not to say there weren’t bright spots. Teyana Taylor proved she understands the assignment, delivering a look that felt theatrical, confident and unapologetically fashion-forward. She brought the kind of drama the Oscars carpet thrives on. Across the broader awards season, names like Emma Stone, Jessie Buckley and Rose Byrne have consistently shown a willingness to experiment, setting expectations high for the main event.

And yet, the carpet itself felt curiously subdued.

Emma Stone & Ji-Young Yoo


Emma Stone’s custom Louis Vuitton gown, complete with cap sleeves and a sharply structured shoulder, stood out for its architectural silhouette. It was unusual enough to raise eyebrows, but still refined enough to land well. Ji-young Yoo, in Carolina Herrera, delivered one of the more successful looks of the evening, with clever colour blocking and a voluminous bubble skirt that struck the right balance between playful and polished.

Then there were looks that almost worked. Gracie Abrams in Chanel gave us elements to admire, a beautifully constructed skirt and an elegant train, but the overall styling felt slightly disconnected. The scarf detail, reminiscent of a dupatta, added intrigue but threw off the proportions just enough to disrupt the harmony of the look.

Gracie Abrams & Renate Reinsve


Elsewhere, minimalism took centre stage, sometimes to a fault. Renate Reinsve’s Louis Vuitton gown was stripped-back and understated, a choice that aligned with her signature approach to dressing. While it worked in its own quiet way, it also underscored a larger issue with this year’s carpet: too many looks felt intentionally muted.

Even the men, who have increasingly embraced fashion risk, seemed to pull back. Timothée Chalamet in Givenchy looked polished and put together, with jewellery adding a subtle edge. But for someone known to push boundaries, the overall effect felt surprisingly restrained. It was good, but not memorable.


Of course, there were undeniable successes. Gwyneth Paltrow in Armani Privé delivered a masterclass in understated glamour. The fit was impeccable, the styling precise, and the overall effect effortlessly cinematic. It worked because it was executed flawlessly. But again, it played within the lines.

Gwyneth Paltrow and Chloé Zhao


And then came the misses. Chloé Zhao’s custom Gabriela Hearst look, paired with Bvlgari jewellery, fell flat, with the fabric lacking the richness expected on a stage like this. Lea Myren’s outfit, meanwhile, raised more questions than it answered, veering into confusion rather than creativity.


Perhaps the most telling takeaway is this. The 2026 Oscars red carpet wasn’t bad. It was beautiful, considered and undeniably glamorous. But it lacked the punch, the audacity, the moments that make you pause. Fashion at its best is about emotion, risk and storytelling. It’s about giving us something to talk about long after the night ends.

Because at the end of the day, safe may be stylish. But it’s never iconic.

Image credits: Getty images

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